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Albrecht Durer Christ Among the Doctors oil painting


Christ Among the Doctors
Painting ID::  1043
Albrecht Durer
Christ Among the Doctors
1506 Foundation Thyssen Bornemisza, Madrid

   
   
     

Albrecht Durer Altarpiece of the Rose Garlands oil painting


Altarpiece of the Rose Garlands
Painting ID::  1044
Albrecht Durer
Altarpiece of the Rose Garlands
1506 Narodni Galerie, Prague

   
   
     

Albrecht Durer Madonna and Child_y oil painting


Madonna and Child_y
Painting ID::  1046
Albrecht Durer
Madonna and Child_y
1504-07 The National Gallery of Art, Washington DC

   
   
     

Albrecht Durer Portrait of the Artist's Father_e oil painting


Portrait of the Artist's Father_e
Painting ID::  1048
Albrecht Durer
Portrait of the Artist's Father_e
1490 Galleria degli Uffizi, Florence

   
   
     

Albrecht Durer The Adoration of the Magi_z oil painting


The Adoration of the Magi_z
Painting ID::  1049
Albrecht Durer
The Adoration of the Magi_z
1504-05 Galleria degli Uffizi, Florence

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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